门面以6米高的白色钢板墙取代了以前的玻璃立面构成崭新的入口形象，加强画廊外观的识别性。室内设计围绕三个规整的长方形展厅展开。展厅犹如抽象的白色舱体，柔和的弧形转角模糊了墙面与地面的边界，使视觉空间最大化。展厅顶部直接暴露结构管线以获取最大的高度。展墙与原有空间边界剩余的部分则成为“空心墙”-一系列由橡木饰面板包裹的服务空间，包括前台、办公、茶室、楼梯、卫生间等，这些小尺度的房间尽量采用隐蔽光源和可触摸的材质，安宁、温暖的感受与光滑亮白的展厅构成反差，置身其中仿佛窥视者墙体的内部。
游历画廊的过程，视觉场景将在木色与白色、阴翳与光亮之间不停切换。画廊室内设计力求在纷杂的现实限制中创造一个纯粹的背景，不仅是画作展示的背景，而且成为能够激发人与人、人与艺术相遇的场所背景。
The purpose of the design: 6 meters height white steel wall replaced the previous glass facade, constitutes a brand new entrance, increased the recognition of the gallery’s appearance. Interior design revolves around three regular rectangular exhibition hall. Exhibition hall is like white cabin abstract image , soft curved corner blurred boundary of the walls and the edge of the ground, to maximize the visual space. The structural pipe at the top of the exhibition hall is uncovered for revealing the height of the ceiling. Exhibition wall with the original space boundary of the remaining part is a hollow wall "- a series of service room decorated by the oak veneer package, including downstage, office, tea room, stairs, toilets etc. These small scales of the room which all used hidden light source and tangible materials; tranquility, warmth feeling forms contrasts with light-smooth exhibition hall, which seem to be able to peered into the wall of the internal.
Walk in the gallery, the visual feeling is changing from the wood color to white, from light to shadow. Gallery interior design tries to create a pure background in confused reality. not only the paintings show the background, also be able to inspire people to appreciate art.
